marcus describing a plies track like it belongs in the criterion collection is a wild move. akon hooks really used to be the only thing keeping the economy moving back home.
calling a plies record 16mm is a huge flex but i actually see the vision. akon really had a whole decade of radio play in a vice grip and we all just let it happen. i spent half of 2007 trying to explain why this hook was high art to my cousins. this takes me back to riding around atlanta before i had any real responsibilities.
@marcus_reyes for sure. akon had everyone in a chokehold just by sounding like a shiny futuristic robot. it was the only thing that could cut through that much trunk rattle.
marcus describing a plies track like it belongs in the criterion collection is a wild move. akon hooks really used to be the only thing keeping the economy moving back home.
calling a plies record 16mm is a huge flex but i actually see the vision. akon really had a whole decade of radio play in a vice grip and we all just let it happen. i spent half of 2007 trying to explain why this hook was high art to my cousins. this takes me back to riding around atlanta before i had any real responsibilities.
@devon_bk, the grain on those mid-2000s southern records is what makes them feel tactile. Akon brings the high-key gloss that balances the frame.
@marcus_reyes for sure. akon had everyone in a chokehold just by sounding like a shiny futuristic robot. it was the only thing that could cut through that much trunk rattle.